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Grateful Dead Live at Oakland-Alameda County Coliseum on 1991-10-27




Set 1

Sugar Magnolia-> Sugaree, Walkin' Blues, Althea, When I Paint My Masterpiece, Candyman, Cassidy, Touch Of Grey

Set 2

China Cat Sunflower-> I Know You Rider, Samson & Delilah, Ship of Fools, Iko Iko*-> Mona*-> Jam*-> Drums-> Jam-> The Wheel-> I Need A Miracle-> Wharf Rat-> Good Lovin', E: Knockin' On Heaven's Door

*w/ Carlos Santana & Gary Duncan Quicksilver, guitars; Last "Mona": 03-25-72; Final GD Perfomance of "Mona"


Collection GratefulDead
Band/Artist Grateful Dead
Venue Oakland-Alameda County Coliseum
Location Oakland, CA

Source B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255, Recording Location: FOB - Hand Held Both Sets
Lineage 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
Taped by Marcus Buick and James Young
Transferred by Jamie Waddell and Todd Evans

Reviews

Reviewer: Allan Ostermann - - October 10, 2014
Subject: Heartbreaking and beautiful
This show was so comforting right after the tragedy of Bill Graham's death. I remember how hauntingly exciting it was when John Cipollina came out for the primal Mona. The concert was a true memorial to a legend. Thank you Bill.
Reviewer: alt3gj - - March 21, 2012
Subject: How is this the first review?
So, I gave the SBD of this show a listen and really liked it -- good energy all around. For me, the next logical step would be to download it, which meant AUD. This is a pretty great recording, and I don't see why more haven't taken advantage of it. I know it's been said hundreds of times, but this really is a great resource! Great show and good AUD, definitely worth the download.
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard (note: this source was originally seeded with a corrupt track 305 represented by the alt-md5 checksum; a fixed version now circulates)
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Source: Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS;
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Source: AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine.
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Source: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255.
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
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Source: Neuman KM 140's>DAT(48kHz)
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.